Extraordinary

GIL SCOTT HERON’S THE LAST HOLIDAY: A MEMOIR

Gil Scott-Heron

Last year, the world lost a true revolutionary. It seemed that only in the years leading up to his death, had greater pop culture begun to realize the true impact and importance Gil Scott-Heron had had on its own landscape. Though hip-hop and jazz historicists, vinyl collectors and political minds had been singing his praises for decades, it seemed that the last few years of his life saw that well-deserved reverence reaching an unprecedented level. The release of his final album, I’m New Here, a collaborative effort with XL Recordings founder Richard Russell, and the posthumous Jamie xx remix project, We’re New Here served to further cement his place as a luminary of modern music and culture.

Today saw the release of The Last Holiday, an autobiographical memoir written in the last years of Gil’s life. The memoir tells the stories of some of the more formative moments of his extraordinary life and career, using one particular story as a sort of centerpiece through which others are told. “The Last Holiday” refers to Martin Luther King Jr.’s birthday, and more specifically to Gil’s experience touring alongside Stevie Wonder as a part of 1980′s Hotter Than July Tour, during which he and Stevie helped to campaign for MLK Day’s status as an official holiday, all to the tune of Stevie’s “Happy Birthday”. In the excerpt below, Gil writes beautifully and poetically about childhood memories, about his experience with Stevie, and about the tragedy of fallen heroes. In the wake of his own death, his insight seems all the more poignant now.

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JON SARKIN: COMPULSIVE CREATIVITY

Jon Sarkin

In 1988, Jon Sarkin was working full-time as a chiropractor, when one day, a sharp, paralyzing pain shot through his head. In the weeks after, he suffered from a constant ringing in his ear, and from distortions in his hearing that made even soft noises intolerably loud. Soon after, a visit to the doctor would reveal the source of Sarkin’s suffering, a swollen blood vessel in his brain, which had expanded and impinged on his auditory nerve. The only remedy would be brain surgery, the results of which could range from complete success to catastrophe. When Sarkin awoke after the surgery, his head was bleeding profusely. And something else had changed.

Sarkin had suffered a stroke during surgery, and even after the initial stages of recovery– relearning speech, sitting, walking and other basic tasks– his family would come to notice sweeping changes in his personality. He was considerably less restrained in conversation, unable to filter his thoughts, less responsive to the concerns of others, and distant. As a husband and father, he simply was not the same. Despite the strain put on many of his relationships though, Sarkin soon developed a new passion of sorts. Or maybe it would be more accurate to call it a compulsion. Jon had begun to draw– quite often –and he couldn’t seem to stop.

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THE HOMECOMING

The Homecoming
Photo By Tangni Elizabeth

I think I speak for Will and I both when I say that last Wednesday was nothing short of amazing. To be honest, it felt a bit surreal. It all went by so fast. Nonetheless, The Homecoming was a true moment. Thanks again to everyone that made the night what it was. The celebrations are nothing without you. As usual, many thanks to DJ As-Is for providing the soundtrack to the night and to Tangni and David for capturing the night through their lens.

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TWENTY TWELVE

Twenty Twelve
Photo By Max Gibson

FRONT FLIPS

I always wondered when I’d see this happen in a game. Something straight out of NFL Blitz. You’ve got to give it to Jerome Simpson for even trying this though. It almost looks fake, except it isn’t. You think he was planning and practicing this for a while, or was it just a spur of the moment move? Regardless I can’t stop watching it.

VISIONS OF ICELAND

Hlaus

Maybe it’s just the expert work of a few different photographers I’ve seen. Or maybe it’s just that Iceland is so god damn gorgeous that you could show up with a disposable and come out with a phenomenal batch of pictures. Bon Iver’s “Holocene” video, directed by Nabil, definitely seems like a case of the former, and I’d have to say these do too. In any case, it’s pretty cold outside, and coming across these semi-anonymous images, credited only to a Flickr page under Hlaus today, they seemed seasonally appropriate. Shot this past summer, the shots capture the rolling hills, landscapes and mountain ranges of Iceland in a powerful way. If the word “breathtaking” wasn’t so played, it might come in handy here. More from Hlaus here for now. Someday we’ll be out there too.

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THE HOMECOMING

The Homecoming

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SACRED INK: PHOTOGRAPHY BY CEDRIC ARNOLD

Sacred Ink

And I thought I knew some folks that were yatted up. Working out of Bangkok over the last decade, French-British photographer Cedric Arnold turned his attention a few years ago to the ancient Thai tattooing tradition known as Yantra. Steeped in spiritual tradition and mysticism, Yantra tattooing entails an intricate and painstaking process, performed with a long bamboo stick, and typically administered by monks. Sacred Ink, shot on a variety of different cameras, represents Arnold’s attempt to capture a unique aspect of the culture in which he’s immersed himself.

“A body, used as a canvas, every inch of skin filled with sacred text and figures of mythical creatures, all forming a protective shield. A boxer, a monk, a construction worker, a policeman, a soldier, a taxi driver, a shipyard worker, a shaman, a tattoo master; men, women, and their inked protection from evil spirits and bad luck. Enter the world of Thailand’s spiritual “Yantra” tattoo tradition.”

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MAN ON WIRE: THE STORY OF PHILIPPE PETIT

Man on Wire

Standing alongside Yung Rizzle last night, faced with the question of what to watch, Russ’ recommendation of Man On Wire came to mind. Not to be confused with Denzel Washington’s 2004 action drama Man on Fire, Man on Wire tells the tale of Philippe Petit, a French high-rope artist whom in 1974 gained global notoriety for walking across the Twin Towers of the World Trade Center on a wire.

Having seen the towers in a magazine six years before, walking the across quickly became Petit’s dream and obsession. Studying nearly every facet of the towers, Petit built a team of supporters to help him infiltrate, scale and walk the towers. Considered by many as the “artistic crime of the century,” Man on Wire is the story of Petit’s extraordinary pursuit to the top of the World Trade Center. Considering the beautiful archival footage of Petit and insightful interviews throughout, it’d be a crime to not recommend the film to you.

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BLENDING IN WITH LIU BOLIN

Liu Bolin

Blending into the produce section stands Beijing artist Liu Bolin. Using camouflage as his medium, Bolin has built an engaging portfolio of environments in which he situates himself. Garnering global recognition for his art, Bolin’s most recent work entitled Hiding in New York, found the artist occupying various settings throughout the city. Climbing into a jumpsuit that is then painted to resemble the background, Bolin’s art falls neatly into the peculiar category here at Wine & Bowties. Hit the MORE and see for yourself.

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THE BEARDFOLIO BY MATTHEW RAINWATERS

Love Dre

I asked Hyphen the other day if I should grow a beard. “Na man, you don’t need to do that.” He replied. “Just stick with the mustache.” But I’ve lived 24 years as a baby face assassin. Isn’t it time for a change? I see Bundy doing his thing. I see Sam doing his thing. I see Ben doing his thing. Shit even Bob’s got one going. Yet I still remain a babyface.

But what struck me was how vastly contrasting my facial hair was from the man pictured to the left, and those pictured within. Crossing paths with an art director from Austin, Texas with a magnificent beard himself, California born photographer Matthew Rain Waters convinced the man to enter the World Beard and Mustache Championship in Anchorage Alaska. “I knew the next World Beard and Mustache championship was about two years away,” remembers Rainwaters. “So I convinced him into growing it out and competing while I would photograph the whole thing.” Accompanying him on his journey to Alaska, Matthew captured the experience, documenting an array of extraordinary beards that would probably make Rick Ross jealous. Matthew’s photo compilation was recently released in book form. Entitled, “Beard Folio,” the first edition was released through Chronicle Books, while more work from Matt can be seen here.

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LIFE IN A DAY

Consider this one evidence in support of our mission statement. I can’t say I know what I was up to July 24th, 2010, but apparently that day, as are all days, was full of peculiar and extraordinary happenings around the world. Shot by filmmakers around the world, both amateur and professional, Ridley and Tony Scott’s Life in a Day is a pretty substantial time capsule, capturing for future generations what it was like to be alive on that particular date. Real stories, real people. For us, some of the footage here will be more ordinary than others, but the project as a whole is pretty phenomenal, if only for its scope. Either way, it’s worth the watch.

THE GLORY

The Glory Photos by Rebekkah Castellanos

Scrambling as I do, last minute, to complete our notes before The Glory, one thought would not leave my mind. “Look at all the Superstars,” I thought, how can so many dope people be in one place? I hope that we can look back and remember these times. Not that the future won’t be great, but I feel like what we’ve got rockin right now is so special. Thank you to everyone that was a part of The Glory, for coming out on a Thursday night with work and school and all your other obligations. As amazing as these nights have been, it’s you that make them such — we’re merely the facilitators. Special thanks to Rebekkah for capturing the moments and to As-Is for providing the soundtrack.

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HARNESS YOUR TALENTS

STEVE JOBS: HOW TO LIVE BEFORE YOU DIE

Steve Jobs

(February 24, 1955 – October 5, 2011)

Over the last four decades or so, it’s easy to see why Steve Jobs’ name has become synonymous with innovation. In some form or another, reminders of his enduring brilliance and foresight are everywhere — on our desks, in our backpacks or quite literally in our pockets. Even if you’ve never used a single Apple product, the innovations Jobs helped to bring to the forefront of our culture have probably changed the way you lived, from the way we listen to music to the way we share ideas. Jobs took an esoteric, expert-oriented niche product and turned it into something personal, and something accessible. In all likelihood, you’re reading this off something that wouldn’t exist if it weren’t for him. It’s no wonder that today, on the day of his death, some of us feel almost as if he was someone we knew personally.

As impressive as Steve Jobs is for his ingenuity, he’s known just as much for his ability to communicate. The ideas were usually great, but the presentation was always flawless. From one masterful speech to the next, it seemed like every year brought around a press conference showcasing the latest gadget from Apple that would revolutionize some aspect of our lives, and send the competition rushing back to the drawing board. Rather than letting gimmicks speak for the brand, Jobs fostered a culture of straightforward, no-bullshit advertising. He spoke to us. He showed us what these things could do, and why they mattered. In 2006, in one of his most impressive displays of communication to date, Jobs spoke at Stanford’s commencement, reflecting on his extraordinary journey, what he’s learned from his own mortality, and the importance of following your heart. We’ve posted it before, but today, it seems more poignant than ever.